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Most new films aren’t original – why won’t their directors admit it?
Bad artists copy and good artists steal, said Dali. The influences in the new films by Emerald Fennell and Todd Haynes are so potent they practically become co-directors, writes Xan Brooks. But the reality of modern filmmaking is that most new cinema is old cinema cannibalised, borrowed and endlessly adapted
Inside Film
The underdog appeal of Paul Giamatti’s loveable losers
The ‘Sideways’ actor is tipped to receive an Oscar nomination for next year’s ‘The Holdovers’, a festive comedy that marks his latest in a run of down-on-his-luck curmudgeons. Geoffrey Macnab looks at the life and career of an unconventional star always drawn to cinema’s most introverted anti-heroes
How Timothée Chalamet became the biggest star on the planet
He’s being courted by Scorsese, is a crooning Willy Wonka and is (allegedly) dating Kylie Jenner. It’s official: the ‘Call Me by Your Name’ and ‘Dune’ star has fully taken over pop culture, writes Geoffrey Macnab. But how did this 27-year-old supernova come to dominate both the arthouse and the multiplex?
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